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The Cape Ann Seacoast, the inspiration for the painting.

Like many of us, I am drawn to the primodial pull of the sea. For me, it is not just any seashore, but the north Atlantic, with its harsh terrain, ice cold water, and thunderous crashing waves. Here, rocks are thrown to the shore by an unrelenting tide.  The rocks are stronger than the water, but the water can be fiercer and can move the rocks at will. This is for me the metaphor for our own lives: we long for smoothness of the water, but we are shaped by the steeliness of the rocks.  
Using an array of textures and colors to illustrate this metaphor, I will depict in my painting this emotional pull of the sea and tell my story much like a poet would use words. 
As you move with me through this creative process, feel free to chime in and ask questions. I have been sharing my process on Instagram live. For updates on live sessions, follow me at https://www.instagram.com/megblackstudios/
And as always, thank you for your support.
Meg


The Genesis of the painting: preparing the background drawing.

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The yet to be titled painting at the end of the first week of work.
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A black and white print of the image is laid out on the surface of the poured sheet. A sheet of carbon paper is sandwiched underneath. I use a bone folder to trace the image onto the poured sheet as a guide.
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The painting in its early stages of completion.

Next week, the painting will be adhered to the frame. The final size will be 40 x 40 x 4 inches.

Please join me.

Get first dibs on new artwork, papermaking workshops (spaces fill fast), complimentary art festivals tickets (save 14.00 on entry fees), and my art adventures. Let me send you splashes of color and tecture to brighten your day. 

Black Meg Holding Carnations White Frame

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