Jan 19, 2015 | New Artwork
This photograph shows the painting immediately after over-beaten pulp has been added. The pulp is still wet, thus the shinny reflection on the surface. I add several colors at once, unblended, for the characteristics of each color to shine through. The trick to...
Jan 18, 2015 | New Artwork
During the painting process, the pulp painting rests on a sheet of egg crating. This allows the water to drip from the painting onto the vacuum table, where it will eventually exit the table via the hole in the bottom of the table. Small containers of pigmented pulp...
Jan 16, 2015 | New Artwork
I have a commission I needed to get working on and finally had to surrender the idea that I could produce 30 wall reliefs and complete the commission at the same time. So, I have abandoned the idea of the wall reliefs and will focus on the commission. My blog...
Jan 15, 2015 | Tabloid art history
Winter can be dreary, cold and lacking in vibrant colors. But this has not stopped artists from finding and capturing the beauty of winter in their landscape paintings. In fact, the cool blues, smoky grey, and deep forest greens are a favorite palette for both artist...
Jan 14, 2015 | New Artwork
I reworked the square composition from day 11 by adding another layer, making more of a fan shape. I like the way the composition is moving between micro-macro; close-up to vista with each element. It is moving beyond the...
Jan 13, 2015 | New Artwork
Ipswich River Reflections, II. This is my first attempt at creating a vertical composition rather than a horizontal one. I couldn’t bring myself to tear the painting in half and lose the reflection in the water as it appears here. I painted the...
