Transition artwork
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Transitions, six 84 x 48 inch paintings that celebrates the state tree, the white birch.

When I was asked, “what influences your art?” I knew the person asking the question really meant “what other artists influence your art?”, or “what subjects influence your art?”.  While these variables have certainly influenced me, as I have progressed as an artist, I find myself increasingly influenced by concepts, or, more specifically, by philosophical traits introduced by previous cultures.  One such concept is symmetria, introduced by the Greeks and defined as “a dynamic balance of imbalances, such as straight vs. bent, left vs. right, one complimentary color offset by another and so on.

The Greeks used symmetria in most of their major works, including the vase painting of Achilles and Ajax playing checkers by Exekias.  In this painting we see the two mythical warriors concentrating on their game; Achilles with his hat on, his shield at his back, has sword leaning against the board that acts as a table.  Ajax, his hat off, his shield leaning against a tree and his shield at his side, provides an imbalance to Achilles that instead of mirroring his competitor’s gait provides a level of imbalance that mimics the tension they undoubtedly feel as they compete in their game

I have incorporated the idea of symmetria in the six paintings of the birch trees by attempting to imbalance the trees in the left paintings with those on the right; the trees in the first paintings lean to the right, their leaves fall onto the right side of the composition.  By contrast, the trees in the last painting lean leftwards; their leaves and branches dominating the left side.

Attempting to mimic the Greek use of symmetria with these paintings has proven challenging.  I have found myself referring to Exekias’ vase repeatedly and marveling over the genius of this ancient art. 

The original composition is in the State of New Hampshire public collection.

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Black Meg Holding Carnations White Frame

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